Beyond Sharia
The Role of Sufism in Shaping Islam

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Beyond Sharia > Articles by: Dr. Bodil Carina Ponte-Kok

Dr. Bodil Carina Ponte-Kok

Project Coordinator

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Dr. Bodil Carina Ponte-Kok is project coordinator for the ERC Advanced Grant Beyond Sharia: The Role of Sufism in Shaping Islam.

New publication on Rūmī’s Mathnawī

Dr. Bodil Carina Ponte-Kok - 5 December 2024 , News

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This project has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 research and innovation programme (Grant agreement No. 101020403).

Beyond Sharia
The Role of Sufism in Shaping Islam

Explanatory text

The images that make up the header of this website are sourced from the website of The Metropolitan Museum of Art. From left to right they are:

1 Painting attributed to Bihzad (Iranian, Herat ca. 1450–1535/36 Herat). "Dancing Dervishes", Folio from a Divan of Hafiz. ca. 1480. Opaque watercolor and gold on paper. The Metropolitan Museum of Art.

2 Sa'di. "Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz" Late 15th century. Ink, opaque watercolor, silver, and gold on paper. The Metropolitan Museum of Art.

3 "Youth and Dervish". Second quarter 17th century. Ink, opaque watercolor, and gold on paper (tinted drawing). The Metropolitan Museum of Art.

4 Sa'di (Iranian, Shiraz ca. 1213–1291 Shiraz). "Dancing Dervishes", Folio from a Gulistan of Sa'di. 17th century. Ink, opaque watercolor, and gold on paper. The Metropolitan Museum of Art.

5 Hafiz (Iranian, Shiraz ca. 1325–1390 Shiraz), Luthfi (Iranian, 1367–1460s), Hilali (Iranian, Astarabad ca. 1470–1529/30 Herat), Mu’in (Iranian), Asir (Iranian, died probably 1639–40). "Anthology of Persian Poetry" 17th century. Ink, opaque watercolor and gold on paper. Binding: opaque watercolor and gold on leather. The Metropolitan Museum of Art.

This website is modelled upon the Religious Matters website, designed by Refresj
(Religious Matters – in an Entangled World)

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Dr. Bodil Carina Ponte-Kok

Project Coordinator

Personal Profile:

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New publication on Rūmī’s Mathnawī

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