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Beyond Sharia
The Role of Sufism in Shaping Islam

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Encountering ʿAyn al-Qużāt’s Tamhīdāt in Iran’s Antagonism of Mullocracy

Fatemeh Naghshvarian - 27 September 2022 , Blogs

A Worn-out Veil is Not the Foundation of Being a Muslim

Dr. Zhinia Noorian - 27 September 2022 , Blogs

We Veil our Eyes Instead of our Women’s Faces

Prof.dr. Asghar Seyed-Gohrab - 25 September 2022 , Blogs

Remembering the Critical Khayyam: A Reflection on Abdelkader Benali’s comments on Khayyam

Dr. Arash Ghajarjazi - 13 September 2022 , Blogs

Rumi en de Nacht

Prof.dr. Asghar Seyed-Gohrab - 3 March 2022 , Blogs

Kissed through a Poem

Prof.dr. Asghar Seyed-Gohrab - 22 February 2022 , Blogs

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This project has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 research and innovation programme (Grant agreement No. 101020403).

    Beyond Sharia
    The Role of Sufism in Shaping Islam

    Explanatory text

    The images that make up the header of this website are sourced from the website of The Metropolitan Museum of Art. From left to right they are:

    1 Painting attributed to Bihzad (Iranian, Herat ca. 1450–1535/36 Herat). "Dancing Dervishes", Folio from a Divan of Hafiz. ca. 1480.  Opaque watercolor and gold on paper. The Metropolitan Museum of Art.

    2 Sa'di. "Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz" Late 15th century.  Ink, opaque watercolor, silver, and gold on paper. The Metropolitan Museum of Art.

    3 "Youth and Dervish". Second quarter 17th century. Ink, opaque watercolor, and gold on paper (tinted drawing). The Metropolitan Museum of Art.

    4 Sa'di (Iranian, Shiraz ca. 1213–1291 Shiraz). "Dancing Dervishes", Folio from a Gulistan of Sa'di. 17th century. Ink, opaque watercolor, and gold on paper. The Metropolitan Museum of Art.

    5 Hafiz (Iranian, Shiraz ca. 1325–1390 Shiraz),  Luthfi (Iranian, 1367–1460s), Hilali (Iranian, Astarabad ca. 1470–1529/30 Herat), Mu’in (Iranian), Asir (Iranian, died probably 1639–40). "Anthology of Persian Poetry"  17th century.  Ink, opaque watercolor and gold on paper. Binding: opaque watercolor and gold on leather. The Metropolitan Museum of Art.


    This website is modelled upon the Religious Matters website, designed by Refresj
    (Religious Matters – in an Entangled World)

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